When innocence is Vidya Sinha’s mild-sunshine smile, Amol Palekar’s artless excuses, David’s bottomless kindness — all moving to the light-touch-direction by Basu Chatterjee. When reality is a broken chappal, or Ranganathan’s promotion prospects. When the title of a film is fragrant. Everyone probably has a Basu Chatterjee favourite — Baton Baton Mein, Chotti Si Baat, Rajanigandha, Chitchor...
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